Weihnachts-Oratorium BWV 248
[Cantata I, II, III & VI]
Hana Blažiková soprano
Alex Potter countertenor
Georg Poplutz tenor
Peter Kooij bass
Collegium Vocale Gent
Christoph Prégardien conductor
More concerts
- 12/12/2019 | 20:00Weihnachts-Oratorium Antwerp, BE
- 14/12/2019 | 17:30Weihnachts-Oratorium Brussels, BE
- 14/12/2019 | 20:30Weihnachts-Oratorium Brussels, BE
- 15/12/2019 | 18:00Weihnachts-Oratorium Köln, DE
- 16/12/2019 | 20:15Weihnachts-Oratorium Amsterdam, NL
- 17/12/2019 | 19:30Weihnachts-Oratorium Zürich, CH
- 19/12/2019 | 20:00Weihnachts-Oratorium Gent, BE
- 20/12/2019 | 20:00Weihnachts-Oratorium Gent, BE
- 21/12/2019 | 19:00Weihnachts-Oratorium Oviedo, ES
- 22/12/2019 | 20:00Weihnachts-Oratorium Madrid, ES
Weihnachts-Oratorium
No matter how lovely they are, none of Bach’s other Christmas cantatas can hope to compete with the popularity of the Christmas Oratorio written in 1734-35. The reason is obvious: its six cantatas make the oratorio an exceedingly strong musical and conceptual unity. Bach skilfully and pragmatically reworked some of his earlier secular choruses and arias, written for birthday cantatas for the Saxon royal family, creating music in honour of the birth of Christ. In this way he not only saved time, he also gave these splendid compositions a new lease on life.